Light of the Seven - Game of Throne (Akmigone/Marioverehrer)

"Light of the Seven" is an instrumental piano piece in the HBO's arrangement Game of Thrones, the TV arrangement variation of A Song of Ice and Fire by George R. R. Martin. It originally played during the show's season six finale and was created by Ramin Djawadi in 2016. "Light of the Seven" is the first run through piano is utilized in the music for Game of Thrones. It was named by the International Film Music Critics Association for Film Music Composition of the Year. 

In a meeting, Djawadi talked about "Light of the Seven", which to a great extent comprised of piano, something surprising for the arrangement. Djawadi expressed, "The fascinating thing to me was the utilization of the piano. At the point when we began the season showrunners David Benioff and Dan Weiss, and Miguel Sapochnik, the head of the scene, contacted me and said, 'There's a coming thing up in scene 10.' We discussed the 'Light of the Seven', and how it should have been another piece of music. Any sort of character subject could tip it, and we would not like to tip the crowd. Miguel brought it up: 'What might be said about the piano?' We examined it. The piano isn't actually in the language of the Game of Thrones score." Djawadi had attempted different instruments, including playing the entire tune with harp, yet none of them sounded right, in the long run he chose the colder sound of the piano. 

Djawadi said: "Everything felt like an ideal fit. What's extraordinary about the scene, as well, is there's not really any discourse. It's nine minutes in length. I realized I needed to begin negligible and give it space. Allow notes to ring, at that point give it space, and develop the expectation from that point, without tipping one or the other way." Djawadi expressed that he ceased from utilizing the ordinary Lannister topic, "The Rains of Castamere", to make to a greater degree a mystery.The piece likewise highlighted vocals from two little youngsters singing as one, and Djawadi educated the young men to sing so that it is "not unnatural, however you get that sensation of something's wrong."[3] Djawadi depicting how he pieced the entirety of the different bits of the music together by saying "The young men I recorded totally discrete. The strings I recorded all together. Indeed, even the performance instruments, I recorded them independently — the independent violins and solo cellists were recorded independently. The piano, I played. Also, the organ too." 

In another meeting, Djawadi discussed the cycle, saying, "That was the large direction for me, by they way I needed to assemble this piece, It's an alternate instrument, and I put it in an upper register, yet the thought is that it's structure something that stays something similar however changes over the long haul. Obviously, since I say that, individuals may resemble, 'No, it's not actually that.' And it's not remaining consistent with the structure. Clearly the image is managing me, so I need to pull back and split away from it. I was unable to keep it as a passacaglia right through. Yet, there are certainly minutes where it defaults to that."

Title	Light of the Seven - Game of Throne
Duration	04:57
Instrument	Piano
Key signature	3 flat
Pages	7
File type	PDF
File Size	298 kb